Cookies This website uses cookies (small text files stored by the web browser on the user's device), including for statistical analysis of traffic, adjusting the appearance and content of the website to the individual needs of the user). By leaving cookies enabled in your browser settings, you consent to their use. If you do not agree to the use of cookies, change your browser settings.

Repertoire RepertoirePL
Opera

Carmina Burana

Carl Orff
Tomasz Tokarczyk
1 hours 10 minutes

details

information T_DETAILS_SHOW_MORE

duration
1 hours 10 minutes
composer
Carl Orff
World premiere
Frankfurt am Main, 8 June 1937
Polish premiere
Łódź 1963
premiere at the Krakow Opera
27 April 2018
language
In the original version, with Polish subtitels
More information
Secular songs; lyrics after the medieval manuscript from the abbey of Benediktbeuern (Bavaria) Prologue and final reprise by the composer
description
“Carmina Burana”, called by some people a stage cantata and by others – an oratorio, is based on secular mediaeval songs, discovered in 1803 in the Bavarian monastery Benediktbeuern. Carl Orff selected from this vast collection of texts, created by vagrants, students and wandering clerics, 24 songs and composed them in some sort of a libretto. The first part comprises songs celebrating nature and the awakening spring, the second part is a praise of Bacchus and the third one tells of pleasures of love. The motto of the entire piece is apotheosis of life and affirmation of the world. Only approval to order and structure of the macrocosm will allow a human to maintain purity of soul and live according to nature.

Poster T_DETAILS_SHOW_MORE

poster by
Bożena Pędziwiatr, Aldo Vargas-Tetmajer

producers and cast T_DETAILS_SHOW_MORE

producers
Music Director: Tomasz Tokarczyk
Stage Producer and choreographer: Emil Wesołowski 
Set and Costume Designer: Bożena Pędziwiatr 
Choir Master: Jacek Mentel
Children’s Choir Masters: Beata Kluza and Marek Kluza
Lighting designer, projections Dariusz Pawelec

Director’s assistant: Bożena Walczyk-Skrzypczak
Choreographer’s assistants: Elena Korpusenko, Victor Korpusenko
Choir master’s assistant: Joanna Wójtowicz
Stage managers: Agnieszka Sztencel, Justyna Jarocka-Lejzak
cast
soprano | Katarzyna Oleś-Blacha
tenor | Adam Sobierajski
baritone | Mariusz Godlewski
aerial acrobatics | Magdalena Sztencel

ticket T_DETAILS_SHOW_MORE

Category A
Marshal’s Balcony
120 zł
Amphitheatre Rows IV-IX
85 zł
Amphitheatre Rows I-III and X-XII
65 zł
Amphitheatre Side seats and rows XIII - XIV, Right-hand and left-hand side boxes (level 1), Balcony level II rows I and II
40 zł
Balcony level II Rows III and IV
30 zł
Attention! Visible ticket prices are valid for performances within the regular repertoire of the Krakow Opera.

Different ticket prices apply for special, pre-premiere and morning shows. There are also discounts for disabled people. Detailed information can be found in the Pricelist.

synopsis T_DETAILS_SHOW_MORE

PROLOGUE: elaborate choral hymn to Fortune – the fickle goddess of human fate.

PART I (“Veris laeta facies” – “On Spring”): songs extolling the beauty of nature awakening into life in spring, when Phoebus the sun god chases away winter and Flora adorns the whole world with fresh verdure, followed by songs in praise of May, the month that kindles love in human hearts. In joking words, girls ask a vagrant pedlar to give them some rouge to colour their cheeks and attract boys.

PART II (“In taverna” – “In the Tavern”): fanciful drinking songs, one in praise of temporal life; another discussing the feelings of... a swan, which – while being stewed in a saucepan – complains about the inconstancy of earthly fortune; and the third one parodying liturgical singing. In conclusion, all the merrymakers join in a song in honour of Bacchus.

PART III (“Amor volat undique” – “On Love”): discusses the delights and sorrows of love and also illustrates the various stages of the love game. In the final movement, the choir sings a song in honour of Venus. However, as it is not Venus but Fortune that really rules the world, the whole work is concluded by a reprise of the opening hymn in her praise.

Józef Kański, “Przewodnik operowy”

reviews T_DETAILS_SHOW_MORE

Theatres Night

upcoming performances of this genre